Rihanna excited to celebrate 10 years in music industry

Singer Rihanna attends the "RiRi by Rihanna" fragrance launch at Macy's on Monday, Aug. 31, 2015, in the borough of Brooklyn, N.Y. (Photo by Evan Agostini/Invision/AP)NEW YORK (AP) — Rihanna says she's thrilled to have had a decade-long career in music and she plans on celebrating the feat at some point this year.



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This Group Wants To Reduce Police Violence To Zero — And They Have A 10-Step Plan

The problem of police violence can seem huge and overwhelming, but Campaign Zero has a plan to find real-world solutions.
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The Runaways’ Jackie Fuchs Criticizes Chrissie Hynde’s ‘Really Dangerous Message’ About Rape

After Jakie Fuchs came forth with the story of her own raping at the hands of her former Runaways manager Kim Fowley, she has become somewhat of a…
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How to Prevent Someone From Stealing Your Nutella, Maybe

If the mere mention of Nutella—that chocolate-y hazelnut-y gooey spread that childhood sandwich dreams are made of—makes your mouth water, you'll want to know about this. A new device invented (as a joke, really) by…









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23 Tennis-Chic Products for Home Inspired by the US Open

US open home instpiration

With Queen Serena setting the world abuzz, even the least likely tennis fans would be hard-pressed to not take an interest in this year’s US Open. But if she somehow isn’t reason enough, who can resist the enduring allure of preppy, effortlessly chic tennis style? Whether it’s wicker and grassy greens, the neon pop of the tennis ball, or white pleats and cable knits, the score is bound to be love. Above, 23 ace products for home inspired by our favorite annual New York City sports event.

 

The post 23 Tennis-Chic Products for Home Inspired by the US Open appeared first on Vogue.

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8 Scandalous Secrets Schools Won’t Ever Tell You About Their Teachers’ Lounges

An Ask Reddit thread examines all the scandalous and hilarious secrets hiding inside the teachers’ lounge.
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Monsta X on Rookie Rivals & Why They’re ‘The Avengers’ of K-Pop at KCON 2015 L.A.: Exclusive

With less than three months under their belts at the time, Monsta X was by far the newest group at KCON 2015, but you wouldn’t be able to tell….
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A Former Victoria’s Secret Model Spills on What It’s Really Like Working With the Brand

There's absolutely no shame in daydreaming about what it would be like to be a Victoria's Secret Angel (and/or to have practiced a sultry runway walk around your apartment once or twice). And for all…









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Your Official Guide to the Best Denim for Fashion Week

denim street style

The demand for all things denim is at an all-time high, meaning that this Fashion Week is the perfect time to get out of your comfort zone and shake things up a bit when it comes to your trusty blues. But before you toss your skinnies and straight-legs in the trash or talk yourself into flares that seem forced rather than fresh, consider the seemingly minor details: Give your favorite boyfriend jeans a rest and try out a pair of semi-literal “boyfriend” jeans straight from the menswear section instead. Can’t feasibly cough up the $ 530 for a pair of Seafarer’s embroidered blues? Why not engage in a mini DIY project and experiment with your own? Though requiring a few extra steps, in little time and for little money (or surely less than $ 530, at the very least), you can create your very own one-of-a-kind custom pair just in time for navigating the street style circus in between shows. (Can’t trust yourself with a needle and thread? Hit up Marie Sophie Lockhart of @GoodForNothingEmbroidery—if her work’s good enough for Drake, it’s good enough for you!)

 

 

But when it comes to the actual fashion of Fashion Week, the trend-saturated streets have been known to provoke the opposite reaction: a desire to revert back to their most classic of silhouettes, a straight-legged pair in a classic wash that suddenly provides a sense of stability amid the spectacle going on off the runway. The model-off-duty vibe—black moto skinny jeans in a relaxed silhouette à la Freja Beha Erichsen, classic boot-cut Levi’s with an ankle-cropped hem, or a simple denim jacket or pencil skirt, lightly distressed or in an unexpected wash—now feels fresh again. If oversize proportions pique your interest, but a superwide leg is a bit too exaggerated for your taste, the culotte is a perfect cut for playing with silhouettes and has an ideal summer-to-fall transitional length to boot. Dungarees and denim jumpsuits are no longer reserved for the elementary-school-and-younger set and make dressing for the day ahead (often endless in its appointments, shows, cocktail events, dinner, and after-parties) surprisingly seamless. Whatever your sartorial inclination, indulge in a bit of experimentation this Fashion Week: Here, the best bets for how to do it.

The post Your Official Guide to the Best Denim for Fashion Week appeared first on Vogue.

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Kylie Jenner Just Gave Us Positivity Goals With This Pic

Kylie Jenner launched her “IAmMoreThan” Instagram campaign to promote positivity beyond bullying.
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Macklemore & Ryan Lewis’ ‘Downtown’ Debuts in Top 30 on Hot R&B/Hip-Hop Songs

Macklemore & Ryan Lewis return to Hot R&B/Hip-Hop Songs following the Aug. 27 release of their latest single, “Downtown,” featuring Eric…
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Notice Anything Different About Google Today?

Notice anything different about your Google experience today? A new…logo, perhaps? BEHOLD: The new, animated, sans serif Google logo is the company's biggest visual branding change in 16 years. And it's all in response to…









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Cara Delevingne Got Her Hands on Fashion’s Most Coveted Monogram Scarf—Now You Can, Too

Photo: Courtesy of Burberry

Well, Burberry has done it again. After creating ponchos embroidered with the initials of chic A-listers such as Sarah Jessica Parker, Olivia Palermo, and Rosie Huntington-Whiteley last fall, the British heritage brand is inviting the rest of us to join in on the monogram mania, with what it’s calling the Scarf Bar.

Launching tomorrow in stores and online, the new personalized service includes the signature Burberry Nova checks, as well as a range of scarves in more than 30 solid hues, with the potential for different eye-catching combos ranging into the tens of thousands. Those keen to have their name spelled out in living color will be in good company, too: Cara Delevingne, Victoria Beckham, James Corden, and Naomi Campbell are among those who have already been spotted out on the town with the coveted piece.

Burberry Scarf Bar scarf, $ 475; burberry.com starting September 2

The post Cara Delevingne Got Her Hands on Fashion’s Most Coveted Monogram Scarf—Now You Can, Too appeared first on Vogue.

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Song Premiere: Sydney Eloise & The Palms, ‘Sorry, Not Sorry’

Drawing on pop sounds from the last five decades, an Atlanta singer-songwriter transforms a flippant hashtag into rich, nuanced reflection.

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The top 10 movies on the iTunes Store

iTunes Movies U.S. charts for week ending August 31, 2015:
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This Woman Makes Creepy Cakes That You Probably Wouldn’t Want To Be Alone With

Dig in … before they dig into you.
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deadmau5 Celebrates ‘We Are Your Friends’ Dismal Box-Office Debut

EDM icon deadmau5 is visibly excited about the box-office failure of We Are Your Friends.
The music drama, directed by Max Joseph (Catfish: The…
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18 Rain Boots So Cute You’ll Want to Wear Them When It’s Sunny

Whether you're prepping for the rain, sleet, or snow, a waterproof boot is a must. Though rain boots (a.k.a. wellies) are a functional wardrobe essential, this season there are so many cute options that you…









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7 Model Show Packages That Defied the Norm

IMG

While Fashion Week’s primary focus centers on clothes, for modeling agencies, the event presents a unique opportunity for the promotion of their talent—and the agencies themselves. Each season the world’s premier agencies send out a variety of show cards to a select set of clients and casting directors. Serving as both the visual representation of an agency’s roster and its brand identity, in the past few years the cards have moved far beyond the basic into a creative endeavor all their own. Whether they showcase the very best images from the models’ portfolios or cast them in a new light entirely via brand-new images, collages, or drawings, the best show packages capture the imagination of their recipients, as they set about creating a tone for the season. Collaborations with notable illustrators, art directors, and photographers are not uncommon, and neither are memorable add-ons, like free T-shirts, jackets, and charms. (Everyone loves swag!)

Getting a card pinned to the casting board for a major show and a model eventually confirmed is the highest goal, but the benefits of creating a talked-about package are multifold. With thousands of models competing for limited space on the runways of New York City, London, Milan, and Paris, a dynamic image in their agency’s show package can help to pique a client’s interest. In a crowded market, a creative presentation can also help to provide niche agencies with visibility that sets them apart from their contemporaries. In the aughts, Paul Rowland’s show packages for Supreme Management presented the agency’s edgy lineup—which then included atypical girls like Hanne Gaby Odiele, Suvi Koponen, and Daiane Conterato—in a fittingly avant-garde manner, setting them apart from the classic beauties represented by Supreme’s sister agency, Women Management. With that spirit in mind, look back at some of the most unique show packages in recent memory, from the offbeat to the artistic.

 

 



IMG

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Photo: Courtesy of IMG

IMG Models Fall 2014

Ernesto Artillo’s collages of Amanda Murphy and Tilda Lindstam cut-and-pasted recognizable faces into layered and painted abstractions.

 



Supreme

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Photo: Courtesy of Supreme

Supreme Management Fall 2009

The colorful and stylized Arabian Nights–themed images provided a welcome touch of fantasy to the pre–Fashion Week process.

 

 



IMG

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Photo: Courtesy of IMG

IMG Models Fall 2013

Illustrated by Danny Roberts, the mixed-media cards presented a whimsical, irresistibly upbeat take on the agency’s superstars like Joan Smalls and Jessica Stam.

 

 



One Management

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Photo: Courtesy of One Management

One Management Spring 2012

The psychedelic aesthetic typified by the designs of Wes Wilson and Victor Moscoso in the sixties provided the inspiration for these vibrant mini posters.

 

 



Wilhelmina models

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Photo: Courtesy of Wilhelmina Models

Wilhelmina Models Spring 2013

Wilhelmina’s seasonal offerings have frequently included wearable elements, from necklaces to logoed T-shirts. In 2013, however, the agency took things to a new level with an oversize army jacket worn with aplomb by faces like Soo Joo Park.

 

 



Women Management

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Photo: Courtesy of Women

Women Management Fall 2008

Frame-worthy watercolors of beauties like Angela Lindvall and Mariacarla Boscono were presented on miniature square cards.

 

 




The Society



The Society

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Gif: Courtesy of The Society

The Society Spring 2013

A picture is worth a thousand words, but a GIF? Priceless. Image-makers Santiago Sierra and Mauricio Sierra’s motion graphics of Lindsey Wixson, Liu Wen, and Sigrid Agren were a step in a high-tech direction in the Society’s 2013 promo.

The post 7 Model Show Packages That Defied the Norm appeared first on Vogue.

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Lil Wayne In New Orleans: Hot Boys, History And Homecoming

The show was improbable and internal — a roster of cameos reflecting the city’s tradition of bounce music and Cash Money Records — and its ringleader was a local superstar happy to share the stage.

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Songs We Love: Car Seat Headrest, ‘Something Soon’

22-year-old Will Toledo already has 11 albums to his name. He reworks an old cut into a blown-out, four-on-the-floor power-pop song that races with an anxious heart waiting to explode.

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David Bowie pens music for SpongeBob stage version

Since its debut in 1999, the television series has been a massive success for Nickelodeon, the children-oriented US television network owned by ViacomDavid Bowie, known for the intellectual bent of his music, is penning music for what will likely be lighter fare — a musical based on cartoon character SpongeBob. Chicago's Oriental Theatre announced that the English rock icon and artist is leading an array of top musicians in composing the score for "SpongeBob The Musical" which will premiere there on June 7 next year. Other musicians who will contribute material include The Flaming Lips and They Might Be Giants, two US bands with similarly eclectic interests, as well as 1980s pop superstar Cyndi Lauper, members of hard rock legends Aerosmith and singer-songwriter John Legend.



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Zendaya Is Celebrating Her 19th Birthday In The Most Selfless Way Possible

For her 19th birthday, Zendaya is raising funds for a needy family in Africa.
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Tom DeLonge Is ‘Totally Willing and Interested’ in Playing With Former Blink-182 Bandmates Again

Despite the rancor between Tom DeLonge and his Blink-182 bandmates when they parted ways earlier this year, the guitarist is not…
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Model Poppy Delevingne Has a New Hair Color and We’re Obsessed

Model (and sister to Cara) Poppy Delevingne has dyed her icy blond hair a lovely shade of peach. She showed it off in a post meant show off a Topshop sweatshirt that supports cancer charities,…









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Top Ten ’90s Heartthrobs: From Leonardo DiCaprio to Jonathan Taylor Thomas

jonathan taylor thomas

When it comes to nineties teen heartthrobs, one is spoiled for choice. Did you long for Jack to draw you like one of his French girls? Or was your idea of romance just a couple of smokes, a cup of coffee, and a little bit of conversation à la Reality Bites? Regardless of your type, one thing’s for certain: The nineties teen poster industry was booming. We’d be remiss in celebrating all things nineties without paying tribute to the babes who covered our Trapper Keepers and occupied our thoughts all decade long. Below, the top ten hunks we loved in the nineties.

 

The post Top Ten ’90s Heartthrobs: From Leonardo DiCaprio to Jonathan Taylor Thomas appeared first on Vogue.

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Prepare To Have Your Cold Heart Warmed After Watching This Marine Reunite With His Wife

A St. Louis Rams cheerleader is surprised by her husband who was serving overseas.
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Rachel Platten Shares Her ‘Fight Song’ With Young Cancer Patient: Watch

For 7-year-old Jeremiah Succar who’s fighting a rare form of cancer, Rachel Platten’s “Fight Song” means a little more than most. And, recently, he…
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7 Fascinating Harry Potter Fan Theories That Will Blow Your Mind

Attention: Today is James Severus Potter's first day at Hogwarts. J.K. Rowling alerted fans via Twitter this morning: I'm in Edinburgh, so could somebody at King's Cross wish James S Potter good luck for me?…









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The ’90s May Be Back, but Menswear Looks Different This Time Around

calvin klein menswear

There’s no question that the 1990s have recently become the go-to decade in fashion’s ever-shifting flowchart of self-reference. Some examples? Well, sticking with menswear, consider the logo sweats at Calvin for Spring 2014, or the Maharishi-touched souvenir jackets that were everywhere for Spring 2016, or the glossed-up sized-down grunge at Hedi-age Saint Laurent. Then note the revival across tailoring’s pantheon of the looser-panted suit—which as yet, praise be, has not been accompanied by the high-collared, broad-shouldered three-button jacket of the variety favored by Chandler in Friends (but watch this space). For the musically inclined (vinyl, please—let’s just delete the MiniDisc), nod your head in nostalgic recognition of the Madchester homage at The Soloist’s Spring 2016 collection, put your hands in the air for the several-season Moschino-led flashback to semantically literal clubwear, then down a pint of mild in honor of new Gucci’s gender-decoding riff on Jarvis Cocker’s Pulp-peak thrift shop elegance. Skateboarding is mainstream cool again—even at Coach, for heaven’s sake—and Stussy sells big time at Urban Outfitters. Somehow we find ourselves back in the day when people said “back in the day” entirely without irony.

How did this happen? Why then, again, now? One straightforward-ish answer is that it’s all a matter of timing. Members of Generation X spent the 1990s in their teens and 20s, grappling with dial-up. Now in their 40s—or thereabouts—graduates of that generation are helming high-influence houses from Alexander McQueen to Zegna. The same goes for Givenchy, Saint Laurent, Valentino, Gucci, and a whole heap besides. And whether consciously or not, it’s only natural for designers (not to mention stylists, editors, and the rest of the fashion diaspora) to mine the time—back in the day—in which they spent their defining years. This theory, though, needs an unreality check. For the fashion industry’s 2015 evocation of the 1990s is about as accurate as Back to the Future Part II’s evocation of 2015 (although, wait—they actually have invented a working hoverboard). And that’s because rather than hacking it wholesale, the designers of today are cherry-picking a 1990s source code for Millennial consumption.

 

 

My 1990s started when I was 15 and living in London. Fashion-wise—if you could ever call what I wear fashion—that decade saw me bound from pre-grunge goth (courtesy of The Cure and Camden) to skate and street (Triple Five Soul, Stussy, Zoo York), onto clubwear (Katharine Hamnett and Westwood tees, hemp trousers, Royal Elastics sneakers) and workwear (R.Newbold, Carhartt), graduating through to first-job Paul Smith and warehouse sale Maharishi—never embroidered. Smith apart, the closest I ever came to capital-F Fashion were the Comme pants I bought because a girlfriend said she liked them—and, naturally, magazines.

This morning I fought my way into the loft and dug out a musty old box of them: some Details, some i-D, some Sky, some Dazed, and a few issues of The Face. And what they show is just how selectively the collective memory of the 2010s is editing what the 1990s were really like. Sure, some things chime: In a great 1993 Details (22 years on, it still smells of sample Calvin Escape, and Guess ads look exactly the same), Perry Farrell, Billy Idol, and Scott Weiland look unimpeachably right-now back-then in a shoot mixing Helmut Lang, Paul Smith, and Comme Homme Plus. From Mario Sorrenti to Guido Palau, most male fashion insiders profiled in an i-D 1995 issue cited A.P.C. as their own everyday label of choice. Kate Moss, Naomi Campbell, and Alexander McQueen? Everywhere.

These, though, are among the few perennial evergreens in a faded landscape of dimly recalled, long-decommissioned zeitgeists: The Wannabe loafer, Duffer of St George, Mossimo, Garbage, even Chuck Norris modeling for Right Guard in a judo suit—all these and so very many more have fallen, barely lamented, by the wayside. But no matter: That’s cultural Darwinism at work. The 1990s are now long enough gone to feel alluringly exotic to a new generation—a distance that is only emphasized by the portcullis of pre-digital, pre-Millennial separation that divides them from then. Meanwhile, we wizened, misty-eyed graduates of back-in-the-day remember, relish, and creatively rehash the best of it. Which is why the nineties are back, same but different.

The post The ’90s May Be Back, but Menswear Looks Different This Time Around appeared first on Vogue.

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Tales From The Crypt: The Funereal Music Of Myrkur

Danish musician Amalie Bruun grew up playing classical piano and violin — but her passion is black metal. She discusses her debut album, M, parts of which were made in a real mausoleum.

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Music Monday (8/31): This Week’s New Albums + Videos

Music Monday (8/31): This Week's New Albums + VideosOur guide to this week's (and last week's) album releases also features the week's top new music videos from artists like Destroyer, Zola Jesus, A$ AP Rocky, and Taylor Swift, plus brand new streaming music from Miley Cyrus with the Flaming Lips, Lou Barlow, The Arcs, Baroness, and more. Read and Post Comments | Get the full article at Metacritic



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Shooting Guns, ‘BarnBurner’

You are a werewolf. You are a cop. You ride a motorcycle. You need a bottle of cheap Canadian whiskey and a soundtrack that howls at the moon. You need Shooting Guns.

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Watch An Emotional Clip About Young Adults Whose Parents Have Passed Away

“If there’s somebody that you care about, you need to let them know.”
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Sum 41’s Deryck Whibley Marries Model Ariana Cooper

Sum 41 frontman Deryck Whibley married model Ariana Cooper on Sunday in Los Angeles. 
The couple held the ceremony at the Hotel Bel Air, E! News…
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10 Beauty Ideas to Steal From Last Night’s VMAs

Each year, we can count on the VMAs to deliver three things: shocking outfits, surprise performances, and a little controversy. This time around proved to be no different. But neither Miley Cyrus' barely-there getups, Taylor…









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The New Wonder Woman—Gal Gadot—Talks About Landing a Leading Role With Gucci

See the house’s latest fragrance campaign here first.

 

Bammboo isn’t exactly the first thing that springs to mind when one thinks about perfume. It’s a plant that doesn’t emit much of a scent, and certainly not one that embodies the spirit of a label as bold as Gucci. If you take a step back, however, and think about bamboo as a design element, the handles of the house’s signature leather shopper quickly come into view. And if you delve deeper into symbolism, the perennial plant makes perfect sense: It flourishes in almost every climate, is tough enough to withstand hurricane-force winds, and possesses a natural strength comparable to steel. Bamboo is the ideal representation of the Gucci woman. She’s willing to bend, but never breaks; she’s confident enough to march to the beat of her own drum, but still willing to adapt; and she always comes out on top no matter how hard the blow. Hence, the reason the brand named its newest eau after the rather elegant vegetation. “The main question we really concentrated on when developing Gucci Bamboo was ‘What does bamboo look like in the world of Gucci?’ It’s not the green, leafy, grassy stuff that I think some people immediately associate it with,” said P&G Prestige fragrance expert Lewis Peacock. Rich notes like sandalwood, Tahitian vanilla, Casablanca lily, orange blossom, and ylang-ylang were employed to relay a message of sensuality and empowerment.



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Photo: Emanuele Scorcelletti



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Photo: Emanuele Scorcelletti

And who better to personify such a multifaceted perfume than Gal Gadot, the Israeli actress who recently landed the role of Amazonian superhero Wonder Woman in Batman v. Superman: Dawn of Justice. She’s also a veteran of the Fast & Furious series, even going so far as to demand that director Justin Lin give her stunts on par with those of her male costars: “I went to Justin, and I was half-joking, but I told him, ‘Listen, if you want me in Fast 6, you better give me some stunts to do!’ And it happened.” Gadot is undoubtedly a woman on a mission who knows how to get the job done and jump seamlessly from a moving motorbike to a speeding Jeep—the toughest stunt she said she’s performed to date. The former model and Miss Israel isn’t your average pageant girl either. She’s a self-proclaimed tomboy who trained soldiers of the opposite sex in the Israeli army; drove a Ducati until she became a mom to daughter Alma (“It’s a whole different ball game—you’ll see,” she told me); paddleboards on the regular; and counts CrossFit and TRX among her go-to workouts. And yes, she has mastered the muscle-up. The only thing, it seems, that she struggles with is nailing the perfect cat-eye: “I’m still trying to figure out how to put on eyeliner properly—I’m still working on that.” She does, however, have her skincare routine down pat, relying on a steady supply of Elizabeth Arden Eight Hour Cream, La Mer The Cleansing Oil, and a bespoke moisturizer crafted by a one-named wonder in her home country known simply as Giselle.



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Photo: Emanuele Scorcelletti



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Photo: Emanuele Scorcelletti

In the video campaign directed by Fabien Baron and lensed by Mert & Marcus, Gadot’s skills are put to the test yet again. Her 12 years as a dancer pay off as she moves effortlessly across a ballroom floor. Her military service came in handy when asked to wield a fencing sword, though she admits she handed that job over to a professional after performing a low lunge in heels and leather pants proved to be quite the challenge. And she even plays the piano naked (as one does when your core is toned from finding your balance on a board in the middle of the ocean). “I’m very open-minded to all genres, but I really want to portray a strong, independent woman,” said Gadot of her dream role. “When you go to the movies, [it’s always] the heartbroken girl who’s waiting to be saved by a guy. In real life, that’s not the way it is!” Fast-forward to being the face of Gucci Bamboo and Wonder Woman, and the actress appears to have it all. Asked if her daughter has a favorite superhero, Gadot replied, “If Elsa from Frozen is a superhero, then yes.” This mom might not be able to manipulate snow and ice, but she’s got no shortage of power. And as far as wardrobe is concerned, let’s just say Queen Elsa didn’t rule her world wearing Gucci.



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Photo: Emanuele Scorcelletti



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Gucci Bamboo Eau de Parfum, $ 115; macys.com

Photo: Courtesy of Gucci

The post The New Wonder Woman—Gal Gadot—Talks About Landing a Leading Role With Gucci appeared first on Vogue.

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New Holiday Mountain Video: ‘Getting Really Freaky’ Not Optional

A Texas band demands freakiness in its new video. Resistance proves futile.

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Castle Exclusive: Watch Ryan and Esposito’s “Definition of Love” Music Video!

Castle Exclusive: Watch Ryan and Esposito's "Definition of Love" Music Video!This article, Castle Exclusive: Watch Ryan and Esposito's "Definition of Love" Music Video!, originally appeared on TVGuide.com. Although the long wait for Castle's upcoming eighth season is almost over, we've got a special treat to hold you over these last few weeks. One of the special features on Castle's Season 7 DVD set, which hits stores Tuesday is a music video for "Definition of Love," a song Ryan (Seamus Dever) and … Read More > Other Links From TVGuide.com Castle Seamus Dever Jon Huertas



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Big Boi And Phantogram Have Officially Made Their Live Debut As ‘Big Grams’

The Big Boi/Phantogram collab project made their official live debut at LA’s Epic Fest this weekend.
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Country Star Kip Moore on the Music That Made Him — From Bob Seger to Pearl Jam

After his first album Up All Night — country’s top-selling debut in 2012 and home to hit single “Somethin’ ’Bout a Truck” — singer Kip Moore…
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Tiaras, Gowns, and Everything You Want to Know About Princesses Is All in This New Exhibit

With the addition of Princess Sofia this summer (coming in strong with four chic outfits on day one of her first official engagement), the Swedish royal family is making a run for the title of…









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The 15 Best Lipstick Moments in Nineties Movie History: From Pretty Woman to Pulp Fiction

Photo: Courtesy of Buena Vista Pictures

Today’s launch of Vogue Runway celebrates the nineties in all its grunge and glory, from the decade’s most important collections to the faces that defined an era. For true beauty purists, however, a study of its aesthetic influences doesn’t stop there: Because what better benchmark is there of the decade’s single defining makeup signature than a quick rewind through its best pop culture films?

From sleek, post-eighties Basic Instinct to Tarantino-inflected Pulp Fiction, lipstick was the unchallenged mainstay of the day. And judging from a look at our favorite nineties leading ladies, any scene-stealing moment came down to the pitch-perfect shade.

First up, Alicia Silverstone as Cher Horowitz in Clueless. The cult-film celebrated its 20th anniversary last month and yet, Cher’s super-pigmented pale pink lip-gloss looks as irrepressibly feminine now as it did then. Whether doing good deeds or driving in platforms, it’s a shade that has a place in any mini backpack today.

Of course, before there was Cher and Dion, there was Thelma and Louise. While the up-to-no-good Texan twosome, played by Geena Davis and Susan Sarandon, is perhaps best remembered for driving a convertible over the edge of a cliff, their coordinating, peachy-coral lips remain the universal beauty reference for road trip selfies—no matter where you fall on the Mason Dixie Line.

 

 

As Vivian Ward in Pretty Woman, Julia Robertss velvety crimson lip was as transformative as her matching red opera dress for a date with Richard Gere. (Note to reader: Passing up that particular nineties lipstick look would be a big mistake. Huge.) Just four years later, Reality Bites flipped the romantic comedy on its head, offering a new vision of the romantic heroine in the form of Winona Ryder as the quintessentially Gen-X Lelaina Pierce; she wore her thrifted floral dresses and cropped muscle tanks with a brick red, almost rust shade of lipstick and a Big Gulp.

Still darker, sheerer stains ranging from blackberry to raisin dominated in films from Pulp Fiction to Dazed and Confused. But by the middle of the decade, another offbeat lip hue reigned supreme: It could be argued that Drew Barrymores chocolate brown lips were as campily memorable as her opening cameo in Scream.

Above, fifteen of our favorites in nineties movie lipstick history—and the modern-day equivalents you’ll want to wear well past the credits roll.

The post The 15 Best Lipstick Moments in Nineties Movie History: From Pretty Woman to Pulp Fiction appeared first on Vogue.

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Django Django On World Cafe

The Mercury Prize-nominated band administers a healthy dose of Madchester-grade synth-pop.

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Michael Jackson Remembered by Family, Music Stars on His Birthday

Beyonce, Justin Bieber and Pharrell Williams posted messages on the day that the King of Pop would have turned 57.
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Miley Cyrus’ VMA Outfits Are The Center Of A Major Unexpected Controversy

Miley’s BCalla-designed “Dooo It!” performance outfits are coming under fire for markedly resembling the work of Australian design duo Di$ count Univer$ e.
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Gavin James Eyes 2016 for Debut Album Release

Irish singer-songwriter Gavin James cut his teeth as a live performer turning out three-hour shows, seven nights a week in Dublin pubs while…
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Date-onomics Author Jon Birger on the “Man Shortage” and Why the Best Place to Date Might Just Be in the Suburbs

In his new book, Date-onomics: How Dating Became a Lopsided Numbers Game, author and former Fortune and Money columnist Jon Birger crunches some numbers from the U.S. Census Bureau and other social surveys in order…









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2012: Tommy Ton’s Favorite Images of the Year

The post 2012: Tommy Ton’s Favorite Images of the Year appeared first on Vogue.

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These Political Lady Crushes Prove A Woman’s Place Is In The House And Senate

If you ever feel like you’re not seeing enough women in your political coverage, here’s just a few you can add to your badass lady crush dream boards.
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GZA Hits Studio With ‘Rare’ Collaborator Vangelis, Cancels Tour Dates

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The O.C. Cast Reveals Where Their Characters Would Be Now, Their Favorite Songs, and More Scoop

Welcome (back) to the dark side, O.C. fans. At The Unauthorized O.C. Musical in Los Angeles last night, hearts were set aflutter with some serious Newport nostalgia—from Marissa shooting Trey during “Hide and Seek” to…









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’90s Models: A Look Back at the Faces—Famous and Slightly Less So—That Defined a Decade

Esther de Jong

While a handful of the nineties hottest models still have careers in fashion, many have moved on to new walks of life. Forging paths as real estate agents, beauty entrepreneurs, actresses, and authors, these women prove that reinvention doesn’t begin and end on the catwalk. Catch up with twelve of the decade’s most recognizable faces here.

 



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Photographed by Steven Meisel, Vogue, May 01 1997

Georgina Grenville

Originally from: Kokstad, South Africa

First Vogue cover: May 1997

Big break: Grenville rose to prominence after winning the South African round of Elite Model Look in 1990. It wasn’t long before she was walking for the decade’s power brands—Versace, Christian Dior, and Valentino included.

Known for: Grenville credits Tom Ford with taking her career to the next level. “Becoming the Gucci girl was a defining moment,” she says. “The fashion industry in the nineties was decadent and fun. There was so much going on. It was a creative and liberated moment in fashion.”

Where she is now: Stepping away from fashion in 2000, Grenville first traveled back home to South Africa. These days she lives in Paris with her husband and three children, balancing life as a wife and mother with the occasional bit of modeling work. “I now concentrate on sharing our incredible world with my children. We travel as much as possible. I try to teach them all the things I’ve learned because I feel like I really am one of the luckiest people ever.”

 



yasmeen ghauri

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Photographed by Marc Hispard, Vogue, December 1991

Yasmeen Ghauri

Originally from: Montreal

First Vogue cover: April 1992

Big break: Ghauri was spotted by a scout while working at McDonald’s. Her mixed heritage and dramatic features made her a refreshing change from the bubbly blondes who ruled the modeling scene in the 1980s.

Known for: Though Ghauri was a favorite of famous photographers like Patrick Demarchelier and Steven Meisel, her true domain was the catwalk. Gianni Versace, Karl Lagerfeld, and Thierry Mugler counted on her to bring their collections to life. Victoria’s Secret took note and enlisted Ghauri as one of the label’s earliest spokeswomen.

Where she is now: In the mid-nineties, Ghauri chose family over fashion, marrying lawyer Ralph Bernstein and retiring from modeling. They live in Bedford, New York, with their daughter, Maia, and son, Victor. Today, Ghauri focuses her attentions on fundraising for environmental causes and breast cancer research.

 



debra shaw

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Photo: Peter Lindbergh

Debra Shaw

Originally from: Philadelphia

First Vogue appearance: “Couture Clash” by Peter Lindbergh, April 1997

Big break: Shaw was discovered while studying fashion design at an arts high school; her first fashion experiences came from staging her own shows for classmates.

Known for: Shaw’s extreme proportions made her a couturier’s dream. John Galliano worked with the model during his tenure at Dior, transforming her into some of his most outlandish characters.

Where she is now: Shaw preps young models for life on the catwalk as a Paris-based fashion consultant and runway coach. A multi-instrumentalist since childhood, she plays violin, cello, and piano, and has toured Europe with her jazz quartet, the aptly named Debra’s Dream.

 



Hannelore Knuts

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Photo: Peter Lindbergh

Hannelore Knuts

Originally from: Hasselt, Belgium

First Vogue appearance: “Independents’ Day” by Annie Leibowitz
September 2001

Big break: Emerging at the end of the nineties, Knuts presaged the aughts fashion obsessions. Androgynous, austere, and fearless in front of the camera, she became a favorite of the Belgian duo Inez van Lamsweerde and Vinoodh Matadin.

Known for: Cutting-edge houses like Balenciaga, Prada, and Dries Van Noten took a shine to Knuts, singling her out as a beauty for the new millennium.

Where she is now: Knuts curated an exhibition of photographs of herself, “UltraMegaLore,” that ran at Belgium’s Hasselt Fashion Museum in 2010. A new mother, she also keeps busy posing for the painter Michaël Borremans; appearing in films by her husband, Nicolas Provost; and even starring on a season of Belgium’s Dancing with the Stars.

 



Esther de Jong

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Photo: Glen Luchford

Esther De Jong

Originally from: Amsterdam

First Vogue appearance: “Fashion’s New Establishment” by Steven Meisel, July 1996

Big break: Working as a babysitter to photographer Anette Aurell, De Jong was introduced to Marilyn Agency founder Marilyn Gaultier, who signed her on the spot. Almost immediately Steven Meisel selected De Jong for an Italian Vogue cover story. “At that point I was so new that I didn’t realize what an amazing opportunity it was, and what it meant for the rest of my career,” says De Jong. “I was an untraveled farm girl from rural Holland, then all at once my career took off.”

Known for: As the face of Prada, Dior, Céline, Alberta Ferretti, and countless other campaigns, De Jong’s image was inescapable during the nineties.

Where she is now: Balancing independent film projects, a lucrative racehorse breeding business, and raising her son, De Jong makes runway appearances for special occasions, like Prada’s star-studded fall 2013 show.

 



Trish Goff

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Photographed by Arthur Elgort, Vogue, June 01 1998

Trish Goff

Originally from: Northern Florida

First Vogue appearance: “Paris Couture: In the Grand Tradition” by Steven Meisel, October 1994

Big break: Though she was scouted at 15 and modeled for the likes of Chanel and Chloé, Goff says her career kicked into high gear the moment she appeared in Vogue. “American Vogue and the Versace campaign by Richard Avedon were huge for me,” says Goff. “It put me on the map.”

Known for: Wide-eyed and delicate-featured, Goff stood in sharp contrast to the nineties glamazons and heralded a fresher, more youthful aesthetic. She fronted ads for everyone from Jil Sander to the Gap.

Where she is now: As a real estate agent, Goff has proven herself as skilled at navigating New York’s housing market as she once was at marching down the runway. Her son, Nyima, made his runway debut at Anna Sui’s Fall 2015 show.

 

 



Chandra North

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Photographed by Mario Testino, Vogue, November 1996

Chandra North

Originally from: Dallas

First Vogue appearance: “The Cocktail Party” by Ellen von Unwerth, September 1995

Big break: During a night out with friends, North was approached by a male model who encouraged her to check out his agency in Texas. Signed shortly thereafter, North soon left the Lone Star State, heading to Paris and New York for modeling jobs. Working with many of the decade’s biggest designers gave North an insider’s appreciation of the nineties fashion scene and its glamour. “I think of shows like Isaac Mizrahi, Marc Jacobs, Anna Sui, Todd Oldham, and of course, Galliano’s—they were complete spectacles,” she says. “The energy was insane, but at the same time they were intimate.”

Known for: A classic beauty, North added a touch of sophistication to the nineties work of photographers like Mario Sorrenti, Craig McDean, Ellen von Unwerth, and Mario Testino.

Where she is now: With a son headed for high school and a burgeoning career as a contributor to the Dallas Morning News’ fashion glossy, FD Luxe, North has her plate full. “I’ve been married for 22 years to the foxy guy in Steven Meisel’s iconic grunge pic with Kristen McMenamy! I’m a mom, so it’s less about me, which is a great thing!”

 



Claudia Mason

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Photographed by Bruce Weber, Vogue, April 01 1992

Claudia Mason

Originally from: New York City

First Vogue appearance: “Gypsy Soul” by Bruce Weber, April 1992

Big break: Spotted in a record store as a teen, Mason went from a LaGuardia High School student to a superstar model seemingly overnight.

Known for: Mason’s sensual good looks made her appealing to a variety of clients, including Revlon, which tapped her for the now-iconic Richard Avedon Unforgettable campaign. Mason also counts her work for Vogue as an especially memorable period—particularly when it had her working alongside Bruce Weber and Grace Coddington. “Creativity was high in the nineties,” she says. “There was more freedom of expression due to the fact that it was before the digital age took over, and that is what people are nostalgic for, I believe.”

Where she is now: Mason has just finished up her first book, Finding the Supermodel in You: The Insider’s Guide to Teen Modeling. It’s scheduled to hit bookshelves in November.

 



michele hicks

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Photo: Martin Brading

Michele Hicks

Originally from: Essex County, New Jersey

First Vogue appearance: “Independents’ Day” by Steven Meisel,
September 1993

Big break: Hicks made her runway debut at Dolce & Gabbana, just as the model look shifted from glamazon to waif. Selected for the corresponding Dolce campaign, she quickly became a well-known face in Steven Meisel’s photographs and on the catwalks, particularly those of John Galliano, which she considers career-defining. “You knew you were part of something completely new and incredibly creative doing his shows.”

Known for: Hicks appeared in countless editorials, especially in Vogue. “One of my first Vogue shoots was with Steven Meisel and Grace Coddington,” Hicks shares. “They were double-page group shots, some in Central Park and some in the studio. Trish Goff, Lucie de la Falaise, Bridget Hall—so many different faces of the nineties were included in that series. It really felt special to be included in that group, and I love the pictures.”

Where she is now: Though she still appears on the runway via exclusive turns for Givenchy and Louis Vuitton, Hicks is now focused on her acting career, which took off with 1999’s Twin Falls Idaho. Working with auteurs like David Lynch and Michael Polish, she’s built a not-insubstantial résumé. “I have been working on a couple of different TV series,” she says. “Public Morals on TNT is airing August 25, and I am very excited about that.”

 



Veronica Webb

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Photo: Pamela Hanson

Veronica Webb

Originally from: Detroit

First Vogue appearance: “An American in Paris” by Bruce Weber, January 1991

Big break: Originally from Detroit, Webb headed to New York to study animation at Parsons The New School for Design. While at college, Webb was encouraged by a makeup artist to try her hand at modeling. Success came quickly, and Webb relocated to Paris, where she became a muse to both Azzedine Alaïa and Karl Lagerfeld.

Known for: Webb broke boundaries as the first black model to garner a Revlon contract, an experience commemorated with a special Vogue story. She still recalls the day of the shoot: “I cherish the portrait of myself in a top hat and tails, taken by photographer Dewey Nicks,” says Webb. “Elizabeth Saltzman was the editor, and the picture was inspired by a famous photograph of Judy Garland.”

Where she is now: Spending the last few years in Florida with her husband and children, Webb is now focusing on a new role: businesswoman. With her own line of hair products set to launch next year, Webb once again hopes to shake up the industry. “I think about health and wellness before everything else,” says Webb. “I’ve used all the skills and contacts I acquired through modeling to invest and partner in businesses related to fashion and beauty.”

 



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Photographed by Arthur Elgort, Vogue, March 1997

Kylie Bax

Originally from: Thames, New Zealand

First Vogue appearance: “Silk Cuts” by Pamela Hanson, January 1996

Big break: Scouts in a New Zealand shopping mall first spotted Bax, but long before setting foot on the runway, she was a fashion fanatic. Her knowledge of fashion and enthusiasm for the industry impressed Karl Lagerfeld—who would encourage her to cut her hair into her signature platinum pixie—and Steven Meisel, who took her under his wing as a protégé.

Known for: Bax’s combination of edge and sex appeal made her a versatile commodity in the nineties, swapping stints on the runway at Prada and McQueen for sittings with Helmut Newton. For Bax, the high points came via work with her heroes. “The defining moments were the ones where I found myself traveling on the Concorde to shoot with big-name supermodels,” says Bax. “To be working alongside and being embraced by my idol Linda Evangelista. Working with Karl Lagerfeld was life-defining. He gave me an incredible sense of what it meant to be a top model.”

Where she is now: Bax now successfully breeds horses while occasionally modeling and raising her three girls. “My horses have always been my passion,” she shares. “The first contract I got with Escada, I bought a horse farm in Kentucky. I built a house there and attended the Kentucky Derby. It was my investment. Something my father told me to do when I earned money was to invest wisely.”

 



Nadege du Bospertus

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Photographed by Patrick Demarchelier, Vogue, June 1992

Nadège du Bospertus

Originally from: Montfermeil, France

First Vogue appearance: “Nude Study” by Peter Lindbergh, November 1989

Big break: Spotted by a photographer while studying economics at school, Du Bospertus initially planned to model only intermittently, but when she met photographer Herb Ritts while shooting a commercial, those plans changed. Ritts loved Du Bospertus’s unique look and energy in front of the camera. She soon found herself photographed by the likes of Bruce Weber, Steven Meisel, and Patrick Demarchelier.

Known for: At the height of her career, Du Bospertus was the face of Chanel, Yves Saint Laurent, Versace, and several other luxury mainstays. With her cropped hair and bright smile, she was a distinctive addition to the supermodel lineup, frequently working with close friends like Carla Bruni.

Where she is now: Though she stepped away from the spotlight after the birth of her first son, Du Bospertus never completely left the fashion scene. She was a judge on Italia’s Next Top Model for three seasons, and she can occasionally be seen in the front rows at fashion shows, covering Milan Fashion Week for the Italian magazine Amica.

The post ’90s Models: A Look Back at the Faces—Famous and Slightly Less So—That Defined a Decade appeared first on Vogue.

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Slammed Then, Celebrated Now, Marc Jacobs’s Perry Ellis Grunge Show Was a Collection Before Its Time

steven meisel vogue december 1992

I wasn’t in the audience the day in 1992 that Marc Jacobs showed his historic grunge collection, the collection that got him fired from Perry Ellis, the clothes that Bernadine Morris, writing in The New York Times, described as “mixes everything up. . .  A typical outfit looks as if it were put together with the eyes closed in a very dark room.” It was several years before I began covering fashion professionally, and although I was personally obsessed with the subject, and spent a lot of time haunting vintage shops (in truth more for Louise Brooks–worthy flapper dresses than frayed flannel shirts), the revolutionary impact of the collection didn’t really hit me until I picked up a copy of the December 1992 issue of Vogue.

Click here to see Perry Ellis’s Spring 1993 grunge collection.

Here were Kristen McMenamy, Nadja Auermann, and Naomi Campbell in photos by Steven Meisel, smelling like teen spirit in silk shirts made to mimic flannel, and chiffon dresses created in an homage to polyester—garments clearly inspired by the denizens of the Seattle music scene, dissolute young guys whose clothing budgets rarely exceeded $ 10. Jacobs (who had in fact never been to the Pacific Northwest city) reinterpreted these rough garments in the finest fabrics, blending colors and textures with a sure hand. It was an early example of taking fashion directly from the streets—a palimpsest that would be employed by everyone from Alexander McQueen with his low-riding bumsters to today’s Hedi Slimane at Saint Laurent. Jacobs’s collection sent an electric shock through the world of fashion—and through me. Critics were flabbergasted, and mostly not in a good way.

 

 



kate moss and kristen mcmenamy

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Kate Moss and Kristen McMenamy

Photo: Conde Nast Archive

“Grunge is anathema to fashion,” Cathy Horyn thundered, “and for a major Seventh Avenue fashion house to put out that kind of statement at that kind of price point is ridiculous.” (Horyn recently retracted her opinion, acknowledging that it was shortsighted.) “Grunge: 1992–1993, R.I.P. . . . For many, Marc Jacobs’s grunge fashion collection was the final shove,” New York magazine opined. Over at Details, James Truman offered, “Grunge is about not making a statement, which is why it’s crazy for it to become a fashion statement.”

None of this mattered in the end. Jacobs lost his job but won the 1992 CFDA Womenswear Designer of the Year award, and for the next two decades his radical grunge runway was emblematic of a collection-before-its-time, a raw, revolutionary response to a raw decade. But of course the joy, the pleasure of renegade dressing worked both ways—if Marc could elevate these granny dresses, these lumberjack shirts, these work boots, well, couldn’t everyone with a dollar and a dream visit the local thrift shop and put together an ensemble that looked like it stepped out of the pages of Vogue?

The post Slammed Then, Celebrated Now, Marc Jacobs’s Perry Ellis Grunge Show Was a Collection Before Its Time appeared first on Vogue.

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Grunge Pioneers: It Wasn’t Just Marc Jacobs Who Looked to Seattle for Inspiration

nineties grunge

Marc Jacobs’s grunge show for Perry Ellis is the one that gets remembered—it did get him fired, after all. But Jacobs wasn’t the only designer looking to the Seattle music scene at the Spring 1993 collections. Less hyped but also important were the New York shows of Christian Francis Roth and Anna Sui.

Roth, whose muse that season was Sonic Youth front woman Kim Gordon, says he wasn’t surprised by the overlap. In a recent phone conversation he recalled running into Jacobs at a party long before the start of the season. They were both wearing flannel shirts, the symbol of the sound and an anomaly in each of their closets. Grunge was happening.

 



nineties grunge

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Anna Sui, Spring 1993

Photo: Courtesy of Condé Nast Archive

But though they shared commonalities like a mix-and-mismatch aesthetic, Dr. Martens, and stripes—lots of stripes—the shows were anything but interchangeable. In a neat postshow sound bite, Jacobs summed up his somewhat boho designs as a “hippied romantic version of punk.” A fair assessment: There were Birkenstocks among the Docs. Sui’s take on the style—what she calls “a mix of thrift shop, army surplus, and active sportswear”—was a bit more glam, partly because of her supermodel lineup and partly thanks to the sparkly makeup and colorful club shoes. Roth, in contrast, cast non-marquee models and sent them down a sod-covered runway wearing laminated backstage passes strung on pull chains borrowed from the boyfriend of one of his employees.

Looking back now, it’s hard to see what the outrage was all about. To 2015 eyes, the collections in question hardly look grungy at all. But at the time, the fact that the clothes mimicked flea market finds was seen as dangerous: Why would the customer go to an upscale boutique if she could find the “real” thing elsewhere for a whole lot less? Then there were those who felt that fashion had co-opted a subculture for its own use. But that’s not how it felt on the inside, at least not to Sui. “To me it’s a perfectly normal progression,” she says. “Isn’t that always what happens when youth culture is absorbed into mainstream fashion?”

 



nineties grunge

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Christian Francis Roth, Spring 1993

Photo: Courtesy of Condé Nast Archive

 

Click here to see Perry Ellis’s Spring 1993 grunge collection.
Click here to see Christian Francis Roth’s Spring 1993 grunge collection.
Click here to see Anna Sui’s Spring 1993 grunge collection.

 

The post Grunge Pioneers: It Wasn’t Just Marc Jacobs Who Looked to Seattle for Inspiration appeared first on Vogue.

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On Set With Linda, Naomi, and Christy: Vogue’s Camilla Nickerson Remembers the Making of George Michael’s “Freedom! ’90”

freedom video


Vogue Contributing Editor Camilla Nickerson is responsible for some of the most indelible fashion images of the nineties, not least of all this can’t-get-it-out-of-your-head video from George Michael. I sat down with her in the magazine’s One World Trade Center offices to reminisce.

Back in the nineties, videos were a really huge outlet creatively. At that point, you had The Face and i-D, and then the established magazines, but you didn’t have all that many places to make a living. I did work on videos then, and they were unbelievably hard work. I remember I did one Soul II Soul video, and I went to a car junkyard and got metal hubcaps and welded them into armor. It would all happen within 24 hours, cause there was obviously not enough money to go into a second day. It was grueling, but you were pretty free to do what [you wanted]. You know, it was before brands. Nothing was really conceived before it happened, so it was trial and error. That seems sort of remarkable in today’s world.

I got a call that this film director who I hadn’t heard of, David Fincher, wanted to meet me at Shepperton Studios for a video he was doing for George Michael. It was “Freedom! ’90.” And I went there, and he had this room, and he was surrounded by these drawings for Alien 3, and it was incredible. I remember it being very, very dark, and just all these sketches. And I was very surprised when he wanted me to work on it.

 




linda evangelista freedom video



linda evangelista freedom video

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He was incredibly specific about how he wanted Christy [Turlington] to walk in this white sheet. It had to be incredibly long and made of Irish linen, so that the thread count was light enough for the light to come through. And that used up the budget. So then everyone else’s clothes had to come from my wardrobe. So you have Naomi [Campbell] wearing my boyfriend’s boots and Linda [Evangelista] pulling my sweater over her head. George knew all the girls, and partied in the back room with them, and I didn’t see them. You know, I was hired help. Very happily hired help.

I remember Cindy [Crawford] was the most professional. Like, she came fully ready to lip-synch. She was always incredibly professional, in a way that everyone else sort of cobbled it together and just got out of bed and got there, and were having the time of their lives living night and day. But she was remarkable, because that’s how she approached everything.

 

 

Through the end of the eighties, Linda, Naomi, Christy—they were all playing roles. They were film stars; they were celebrities; they were super-glamorous; they were, you know, creating dreams. And then suddenly there was this new mood, which was about reality. It was okay just to be you, and it was okay to borrow your boyfriend’s clothes, have chipped fingernails, tell it as it is. And that there’s a dream in that as well, and a beauty. That was very exciting. And important, because at the time, you know, you were also starting to have Kurt Cobain and grunge. It was a reaction to there not being any money, and being all right with that.

In the early nineties, designers started co-opting different show spaces. So there was this disused department store, or a railway station, or an old factory with water puddles, or it was somebody’s home. I remember at the Xuly Bët show we all had to sit on the floor, and there was Polly Mellen [the legendary Harper’s Bazaar and Vogue sittings editor and then the creative director of Allure] cross-legged. And we were all just sort of huddled in, and the models had to walk over us. You know, it really was just breaking with any of the normal traditions, and bringing everyone to the same level.

 




christy turlington freedom video



christy turlington freedom video

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A lot of the designers didn’t have backing. You were going to see shows that did not cost a million dollars; they cost £150. Galliano was running the clothes over by hand; McQueen was borrowing a space, sewing the clothes that night, asking friends to model. Margiela invited us for tea in his flat. There was no big branding; there was no big money. You know, there was no money, and still they were able to put their ideas across.

Also designers were given time to do a collection, because there were six months in between, rather than. . . . You know, Resort shows used to be six or seven looks; there wasn’t Pre-Fall, really, in the same way. But that said, there are many good things that have happened. Clothes are made to the most incredible standard today. It’s like you’re seeing couture now on the runway. And the skills, and the people who are making the clothes, and developing the fabrics, or you know, exploring print techniques are amazing. So it’s not a bad thing that there has been a lot of money and a lot of focus on fashion. It has kept it really alive, and it’s become such an influential force in the world. When I grew up, there were no clothes shops on the high street, really. There would be a department store, but high street fashion didn’t exist. You bought clothes in vintage shops.

 




naomi campbell freedom video



naomi campbell freedom video

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I arrived in New York, and it was so exciting. Like, it was very think-do. And you know, I suppose a large part of it was the idea of narrative being broken. Suddenly you had images that were not consecutive, you had clothes that didn’t fit, you had things that were fractured. But people were moved by it, and they were excited. I remember Neville [Wakefield] and I were asked if we could do the book, and so I said yes. It was pretty seamless, the whole thing. You know, I asked Anna [Wintour] if I could work with Corinne Day for Vogue, and she said, “Yes, as long as it doesn’t cost too much.” And so Corinne came to stay in my hotel. She forgot to mention that she was bringing her granny as well. So the three of us shared a room. It was really bad. But it was really fun. And it’s exciting that that time still has traction and it has attraction.

I haven’t watched “Freedom! ’90” in a while, but I listen to it. I listened to it with Phoebe [Philo], and we laughed. Cause everybody in the room, you know, has their own rendition of it. And like, you see people’s eyes gaze off into a distance, cause it’s bringing back some night that they were doing something, or. . . . You know, it’s like a happy glaze of memory.

The post On Set With Linda, Naomi, and Christy: Vogue’s Camilla Nickerson Remembers the Making of George Michael’s “Freedom! ’90” appeared first on Vogue.

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